Posts for Tag : artists blog

What my horse drawings are about…

‘Connections’ –  A drawing of two horses about elasticity, flow, direction, spatial awareness and connection.

 

In February I set myself a drawing project, the weather was wild (snowed in home alone for 6 days) a drawing a day seemed like a doable project.

 

I decided to concentrate my artwork on horses. For years I have been slowly, tortoise-like, working to bring my passions together – art, Alexander Technique and horses. Moving to a small bungalow in the countryside with a wee paddock, saving up to buy a field shelter, a horse, more land, plant trees … working hard at keeping it all together and painting and teaching. Workaholic has been levelled at me! I never planned to do everything alone, but that’s the way it has worked out for me at present.

 

I have taught riders Alexander Technique and painted horses, seascapes and African animals. It was time to attempt to describe some of my Alexander Technique and horsemanship ideas and experiences in my artwork and focus on my love of horses.

 

Concepts I want to describe through drawing include lightness, flow, spirals, movement, forward and up, balance, connection, elasticity, direction, spatial awareness, daring to dream, the love of horses, hands on, the mystery that is horses, spiritual growth through being with horses, time, creation, the breath and breathing and some humour …

 

Quite a big list!

 

Dandelion clocks, feathers, the moon, spiders webs, the tree of life, seeds and hand prints are some of the imagery I have used along side horses to describe some of these concepts.

 

It has been an interesting year! In my attempt to draw some of the indescribable aspects of riding, horses and the Alexander Technique, somehow I have managed to speak to other people, with requests to sell my drawings as prints. This has been a really good development for me and I have connected with some wonderful people worldwide. (I have also been plagiarised, I am told that is a compliment!)

 

My drawings are ideas for paintings, most of which are still to be painted and I am looking forward to doing so. I have been minimising the time I spend working with oil paint as I have spent too much time in this medium over the years to the detriment of my lungs. They are getting better again, thank goodness. Viva drawing!

 

So now drawing is taking me in the direction of my dreams with my horse Angus and my two mini Shetland ponies, Walter and Lettie who are both my teachers and my inspiration.

‘Horse Time’ the mini Shetlands, the muses for my cartoons.

 

Patience is something that horses definitely teach us.  They invite us to stay present to what is in front of us without ego or expectation!  Horses I believe allow us a door to the mysterious aspects of the world we live in. They truly are divine creatures!

 

How to Make a  Dream Come True

Link to blog about this drawing here

 

The Magic Stop

About using the breath to move a horse forward, find poise and freedom and to ride a stop.

 

Connections

 

If Wishes Were Horses 

 

If Wishes Were Horses (colour print)

 

Four Winds Medicine Wheel

About the direction of energy, spirals and circles and space

 

Transformation

Transforming into lightness in the forwards and upwards flow

 

Equine Lunar Calendar

 

Sky Horses

 

When Dreams Fly

 

Seeds of Love

 

Up! (colour)

Lightness, up flow, the lengthening releasing spine

 

Free Spirits

 

Horses and The Tree of Life

For me this drawing is about being on a mission to plant trees!

 

Equinox

About breaking free into balance

 

Up, Up

Gravity and the up flow. Life and death

 

Flying Horses

Freedom is movement

 

Webs

About how we are all connected, internally and externally

 

Pony Shenanigans (also available as a colouring poster)

 

Angus, the muse for my black and white drawings and a dandelion clock

If Wishes Were Horses as a very large oil painting

 

 

All my drawings are available as hand signed black and white prints.

A4 £20

A3 £30

Free postage worldwide if you buy more than one print.

www.kirstenharrisart.co.uk

or email me kirstenfharris@btopenworld.com

 

Many thanks for reading and for all the support I have received over the years with people buying my artwork. Truly appreciated. Love Kirsten xx

Art, Bamboo Glasses and a Foul Mouthed Pub Landlady

Last night at the exhibition opening of Seascapes at the Old Chain Pier in Edinburgh, stories were told about the eccentric landlady who presided there in the 50’s and 60’s. Her family had owned the pub since the turn of the century.

 

My friends mum and dad, revealing how they went on their second ever date to the Old Chain Pier 55 odd years ago, reminisced.  Last night was their first time back…

 

Apparently Betty Moss was a character and a half, always resplendent in oriental costume and bamboo glasses. She swore like a trooper, shot a gun to the ceiling to call last orders, swung a cutlass over her head to deal with rowdy customers and told everyone to ‘fuck off children’ at the end of the night. It was a sailors pub and she was in charge! 50 years later she is still talked about, her photo, found by the present owner in the cellar, hangs above the bar.

 

 

(Betty Moss – check out the earrings!)

 

Back then every inch of the pub walls were covered in postcards from all over the world. There was no picture windows to the amazing sea view! I guess sailors don’t want to look at the sea whilst drinking a pint and a nip. In fact everything about the inside is different, yet the memory of Betty Moss lives on.

 

Later in the evening my friends gave me ‘how to’ instructions on a contemporary kind of postcard,Instagram, wondering why as an artist I hadn’t made use of this ‘postcards to the world’ form of communication to show my paintings.

Um, no answer apart from not knowing how to do it! Dah!

So I was given a brilliant impromptu masterclass from a professional marketeer, the art director of an ad agency and someone who has 1000’s of followers on the said platform… WOW! Thank you guys, I hope it all went into my brain. Brilliant stuff.

 

I wonder what Betty Moss would make of the social media conversation? By the sound of her she would have embraced it long since, have made big ripples in new medias and be talked about all over the world!

 

Hmmm ….. where are my bamboo glasses?

 

 

 

 

Exhibition on until the end of January.

Framed seascapes from £100

check out my website… www.kirstenharrisart.com

 

An Ashtray and the Inspiration behind Romance of the Falls Exhibition

I smoked as an art student. Nearly all of us did. It was the 80’s after all and we thought we were cool. What we didn’t realise was that the ashtray we were casually flicking ash into was worth a million quid! Now that’s cool!

 

Professor David Hill, the world renowned Turner expert and author, was our art history lecturer at Bretton Hall College in the 80’s. Every class from cave painting to the High Renaissance, from pop art to pointillism, David Hill would find a way to bring Turner into the conversation.

 

As a first year I hated Turner, and with artist Jane Tomlinson took a pop at Turner by writing a joke essay about a fictional Mrs Turner and handing it in. Anything to argue against the revered man. By the third year I was converted and wrote my degree thesis on the Turner Prize.

 

David Hill wrote a book called In Turner’s Footsteps, so of course the big inspiration behind gathering a group of artists for the Romance of the Falls Exhibition at the Tolbooth, Lanark 12 October – 12 November is to follow in Turner’s footsteps drawing inspiration from the Falls of Clyde. Ever since I have visited the Falls I have thought ‘I am walking in Turner’s footsteps’, seeing what he saw. An idea for an exhibition has been brewing for several years. David Hill

 

For the million pound ashtray story and David Hill’s discovery here is a link to his website … well worth a read, quite amazing.

The Bretton Hall Marbles: #1, The Ashtray and the Million Pound Plant Pot

The Royal Academy of Arts in Edinburgh have kindly allowed us to  reproduce Turner’s Falls of Clyde painting as a postcard which will be on sale at Romance of the Falls, Contemporary Art at the Tolbooth, Lanark 12 October – 12 November.

 

Joseph Mallord William Turner (1775 – 1851)

The Falls of Clyde 1801

 

A Falling Romance – work in progress …

Detail from a much bigger oil painting’ A Falling Romance’ work in progress  ….

Looking down onto Cora Linn …

Looking across to Bonnington Linn

 

An old postcard looking up to Bonnington Linn.  Details of the upcoming exhibition

 

In the days when The Falls of Clyde was on the ‘must paint’ list for artists, visitors were able to get to the base of Bonnington Linn to paint the scene.  There was also a little red iron bridge, now unusable, over one of the cascades to the rocky island in the middle where the two falls separate, which housed a temple. The island is covered in trees so I have no idea how much remains.

 

The experience of the waterfalls then must have been more intense. Coupled with the fact that since the 1930’s the hydro electric has ‘stolen’ the water, subverting it though the power station. My guess is that action alone caused the Falls of Clyde to fall off the ‘must see’ list!

 

Unbelievable luck for this group of contemporary artists ‘Romance of the Falls’ as coincidentally the river have been running in it’s full glory again all summer due to repairs to the substation. So, in part, we have been able to see what Turner, Wordsworth, Naismyth, Burns and countless others greats saw. The left hand cascade on the old postcard is now-a-days usually dry, though not at the moment, so go soon if you get a chance.

 

Researching the history, I found an old etching by a nameless etcher.

 

I decided to imagine myself into the view from below, using the etching as inspiration. Many of the romantic paintings and engravings of the past show naked nymphs prostrate at the base of the cascades too. Not a naked nymph in site during my walks in the beautiful woodlands by the Clyde this rainy summer so decided against nymphs!

 

I began and soon realised what a flipping difficult task painting a waterfall is. I don’t want to paint a portrait but somehow portray something about flow, power, movement, energy, growth in a semi abstract way.

Water coming from the sky, over the falls and into the earth.

Wow and I thought painting seascapes was hard!

 

The first layer of paint came out as a pretty but fantasy-like waterfall picture. Hmmm, ok, but not what I had in mind… more walks …. more layers of paint …. more and more respect for the unknown etchers level of detail and truth about the landscape ….

 

To be continued …