The commissioners had wanted a different type of art for the panels that were going to adorn the town – serious, proper art! I would have to hope that Lanark, which always seems a good humoured and chilled-out kind of town, would respond to a bit of quirky humour instead. It’s odd being second choice artist when you think the original choice of artist was better qualified for the job too. That very human odd couple, ego and self doubt, would have to leave the room before getting on with the job!
Veitch’s Close had been home to a popular baker. I had already established my supporting cast of characters, (blog here) so warm Scotch pies and begging dogs for the next illustration. The dogs, that reoccur throughout the series, are taken from Lanark’s 600 year old heraldic coat of arms. I reckoned they must be hungry!
The drawing is set in the 50’s when men wore flat caps and women scarves. After a year of lockdown hair – bring back the scarf!
In the original drawing I messed up the spelling of the word ‘Scotch!’ Working in pen and ink, this is a disaster as it means redrawing the whole thing. Lovely Jenny at Lanarkshire Print House came to the rescue and deleted the clumsy word on photoshop, then posted out a print so I could rewrite ‘Scotch’ for the artwork to be printed onto the panels. Thank you Jenny!
My favourite bit in the drawing is the dog sniffing a chicken poking out of a women’s string bag.
Hopefully the drawing gives a sense of gossip and chat as people queue for their buns and pies. Nothing much has changed has it? We’re still prepared to queue for a warm Scotch pie!
Close Encounters opens on the 26th of April at The Tolbooth Lanark. All twelve original artworks for the Lanark Closes street art panels are available to buy alongside Ronnie Cruwys’s beautiful and atmospheric paintings of the backs of the Closes.